About

Video Producer | Director | Editor | Videographer

I create powerful, authentic video content that captures real stories and drives results. With 15+ years of experience as a producer, director, editor, and field videographer, I’ve shot, directed, and edited hundreds of interviews and projects across the globe.

My work spans:

  • International disaster response and medical missions

  • War veteran stories

  • High-profile VIP “run-and-gun” coverage

  • Professional and collegiate sports

  • Live studio news

  • Nonprofit, brand, and legacy storytelling

I’ve filmed in 12 countries (Israel, Cambodia, UK, South Africa, Rwanda, Togo, El Salvador, Jordan, Guatemala, and others), often in challenging environments — from hospitals and disaster zones to live events and field production with tight timelines.

What I deliver:

  • Cinematic brand films and marketing videos

  • Documentary-style storytelling and interviews

  • Fast-turnaround edited content

  • Legacy and family history films

  • Nonprofit impact videos that move donors and audiences

I’m known for quick adaptability, strong visual storytelling, and the ability to build trust with subjects quickly — whether in a war zone, on a sports sideline, or in a quiet legacy interview.

Core Tools & Skills Proficient in:

Adobe Premiere Pro, After Effects, Photoshop, Lightroom • DaVinci Resolve • Final Cut • Motion Graphics • Color Grading • Audio Mixing • Drone (FAA Part 107) • Multi-cam & Live Production • Project Management

Core Strengths:

Story-first producer who can conceptualize, shoot, direct talent, and edit — or jump in as a one-man-band when needed. Calm under pressure. Deadline-driven. Travels anywhere.

Open to freelance, contract, or full-time opportunities in video production, brand storytelling, documentary, sports, news, and nonprofit work.

Behind the Scenes

The work behind the work. Early mornings, long flights, unpredictable conditions, interviews, lighting setups, field producing, directing crews, and chasing moments that can’t be staged twice. This reel is a glimpse into the process, pressure, and privilege of documenting real stories in real places.